Umeå University

Bildmuseet: Shubigi Rao / Pulp I–IV

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Shubigi Rao, Shadowstitch (still), 2025. Courtesy of the artist.
Shubigi Rao, Shadowstitch (still), 2025. Courtesy of the artist.

Shubigi Rao / Pulp I–IV is the first comprehensive survey of the artist’s decade-long project so far about censorship, destruction of books, assaults on literacy and libraries, erasure of women’s voices, and loss of languages.

The exhibition opens at Bildmuseet on 14 March during Art Friday in collaboration with Littfest – Umeå International Literature Festival. Press are welcome to request previews by appointment.

With her conviction that “paper will trump rock”, Shubigi Rao examines the history of cultural obliteration while also sharing strategies of survival and resistance through her books, films, drawings, and photography. Rao has filmed and written about public and private libraries, as well as pirate and anarchist libraries in numerous countries across the world, with particular focus on regions that have suffered historical or contemporary conflict, from Bosnia-Herzegovina and Armenia to the Philippines. We encounter librarians, researchers, and activists who hide books, rescue damaged collections, publish banned manuscripts, create shadow libraries, and establish alternative networks for shared knowledge.

For this exhibition, Shubigi Rao has created a new film, Shadowstitch, in collaboration with Bildmuseet and the Museum of Contemporary Art and Design, Manila, and with support from the National Arts Council, Singapore. In a vein similar to These Petrified Paths, her 2023 film on Armenia, Shadowstitch spotlights the resistance of women as authors, cultural workers, community organisers, rural activists, and independent publishers. The Filipina poet Marjorie Evasco’s concept of “actionable hope” resonates with the ethos of Pulp, that in the face of relentless state and capitalist destruction, resistance is not just possible, but inevitable and communal. “When we write, we are collective.” (Shubigi Rao)

The exhibition also includes textual and artistic excerpts from Rao’s upcoming book, Pulp Vol IV. A special issue of Swedish PEN’s journal PEN/Opp will be dedicated to Rao’s research and released during the Banned Books Week in Sweden. The public programme Artist to Writer (see below) includes talks by Rao and invited artists reflecting on literary works that have inspired them.

Shubigi Rao (b. 1975, India) has exhibited at biennials and museums worldwide. She represented Singapore at the Venice Biennale in 2022 and was the Artistic Director of the Kochi-Muziris Biennale the same year. The second and third volumes of her Pulp book series were awarded the Singapore Literature Prize for Non-Fiction, and the first instalment of the Pulp project won the APB Signature Juror’s Choice Award. This is her first solo exhibition in Sweden and her most extensive presentation in Europe to date.

The exhibition Shubigi Rao / Pulp I–IV is produced by Bildmuseet. Curators: Sofia Johansson and Anca Rujoiu.

With thanks to the Arts Campus Library, Umeå University; National Arts Council, Singapore; Museum of Contemporary Art and Design, Manila; Swedish PEN; and Umeå Municipality.

PRESS PREVIEWS BY APPOINTMENT

press.bildmuseet@umu.se. Press images.

OPENING ON ART FRIDAY, 14 MARCH

Welcome speech by Director Katarina Pierre at 19:00, followed by an Artist's tour with Shubigi Rao in conversation with Curator Anca Rujoiu. The evening will also see the opening of the exhibition Swedish Picture Book of the Year / The Excursion by Anders Holmer. Additionally, poetry readings, guided tours, creative workshop, live concert by Ebban KCCH, DJ, and bar.

TALKS AND EVENTS

Throughout the exhibition, we will offer a series of talks, Artist to Writer, exploring the intersection between visual arts and literature. Programme below.

Contact information

Requests for preview and interviews:

Helena Vejbrink, Media Contact

helena.vejbrink@bildmuseet.umu.se, +46 90 786 9073

Further information about the exhibition:

Anca Rujoiu, Curator anca.rujoiu@bildmuseet.umu.se, +46 90 786 9676

ARTIST TO WRITER

A programme of talks highlighting artists working with literary texts as material to reflect on aspects of censorship, acts of resistance and dissent, networks of solidarity, processes of translation, experiences of migration, and inter-species encounters.

With thanks to the Academy of Fine Arts, Umeå University; Accelerator, Stockholm University; IASPIS; and Littfest—Umeå International Literature Festival.

Saturday, March 15 2:15pm

On Banned Books, Acts of Resistance and Dissent

The artist Shubigi Rao in conversation with publisher Per Bergström. The book Too Loud a Solitude (1976) by Czech writer Bohumil Hrabal serves as a point of inspiration to discuss print-based resistance in the face of attempts to silence and destroy. In collaboration with Littfest—Umeå International Literature Festival.

Wednesday, March 19, 6pm

Artist talk by Shubigi Rao

An introduction to Bildmuseet’s survey of Pulp at Accelerator, Stockholm University, in collaboration with Swedish PEN.

Sunday, April 27, 2pm

On Notes in the Margins, Marks and Annotations as a Way of Reading

The artist Kajsa Dahlberg in conversation with curator Sofia Johansson about her work A Room of One’s Own / A Thousand Libraries. Dahlberg borrowed all copies of Virginia Woolf’s essay A Room of One’s Own from Swedish libraries and transferred all their margin notes into one volume of the book, which she printed in 1000 copies.

Sunday, May 11, 2pm

On Experimental Acts of Translation from Text to Image

The artist Lika Tarkhan-Mouravi in conversation with curator Anca Rujoiu on the artist’s experimental acts of translating the marginalised poetry writings of Marijan (pseudonym of Mariam Tkemaladze, 1890–1978), a renowned writer of Georgian children’s literature as well as a proto-feminist whose poetry work is yet to be acknowledged.

Sunday, September 14, 2pm

On Children’s Literature and Our Worldviews

Departing from an anthology by Romanian writer Iordan Chimet, the artist Ana Kun will explore the formative role of children’s literature in shaping our views on humans’ and more-than-humans’ livelihoods.

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